By James Duncan, Nuala Johnson, Richard Schein
A spouse to Cultural Geography brings jointly unique contributions from forty special overseas students to supply a severe assessment of this dynamic and influential box of analysis.
The quantity starts off by means of charting the main major adjustments in cultural geography within the 20th century earlier than happening to introduce the critical techniques animating paintings within the box this day. those theoretical methods are then grounded in a chain of essays at the significant thematic components to which cultural geographers have contributed ---nature, identification, panorama, colonialism, and post-colonialism.
The spouse should be a invaluable source not only for geographers but in addition for these operating in allied fields who search a transparent realizing of the contribution that geography is making to cross-disciplinary debates.
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Additional info for A Companion to Cultural Geography (Blackwell Companions to Geography)
Mitchell has been especially outspoken in criticizing cultural geographers for their willingness to concede to culture an amorphous multiplicity of meanings and, moreover, for what he regards as their repetition of traditional cultural geography’s central error: that is, the reification of ‘culture’ as a “superorganic thing” or “realm,” a perspective which has encouraged the “proliferation of examples that presumably constitute culture . ” Instead, he argues, it is necessary to conceptualize culture as an idea and to concentrate on showing how it works in society (Mitchell 2000: 73–5).
Some of us have this sense of significant form, some develop it (and in them I take it to have been latent), and some never get it. ” One can take exception with the latent biological essentialism of Sauer’s morphologic eye, but a charitable ‘read’ in a positive moment of genealogical reconstruction might make connections to more recent concerns with vision, ocular-centrism, and the lesson that these are learned and social epistemologies (see Cosgrove 1985; Rose 1992, 1993; Nash 1996). Learning from looking was central to the Sauerian tradition (Lewis 1983) and has not entirely faded from a retheorized contemporary cultural geography (Rose 2001).
Cosgrove, D. E. and Jackson, P. 1987: New directions in cultural geography. Area 19, 95–101. Cronon, W. 1983: Changes in the Land. New York: Hill and Wang. Daniels, S. 1989: Marxism, culture, and the duplicity of landscape. In R. Peet and N. , New Models in Geography, vol. II. London: Unwin Hyman, 196–220. DeLyser, D. and Starrs, P. F. 2001: Doing fieldwork: editors’ introduction. Geographical Review 91, iv–viii. Duncan, J. S. 1980: The superorganic in American cultural geography. Annals of the Association of American Geographers 70(2), 181–98.
A Companion to Cultural Geography (Blackwell Companions to Geography) by James Duncan, Nuala Johnson, Richard Schein